Index to “[theory] – in comics?” blog posts

Wait a minute, isn’t it Women’s History Month? Oh well…

According to the traffic statistics provided by WordPress, the series of “[theory] – in comics?” posts is one of the most popular (or rather, least unpopular) parts of this weblog. I even keep returning to them myself to remember what I read. However, I admit they’re not easy to find: even when using a tag or category, you have to scroll down a long page of posts displayed in chronological order of posting. Wouldn’t it be good to have an index in which you could see all of these posts at a glance, and in a more meaningful order? Or better still, several indices? Here you are: last name | keyword | year of publication | title | comics creator | comic title

Alphabetical by last name:

• Alpers, Svetlana
• Anderson, Benedict
• Appadurai, Arjun
• Assmann, Jan
• Barthes, Roland (1, 2)
• Bellour, Raymond
• Bhabha, Homi K.
• Butler, Judith
• Danto, Arthur
• Foster, Hal (1, 2)
• Foucault, Michel
• Gombrich, Ernst
• Hutcheon, Linda
• Jameson, Fredric
• Krauss, Rosalind E.
• Levi, Antonia
• Nochlin, Linda
• Owens, Craig (1, 2)
• Panofsky, Erwin
• Pollock, Griselda
• Riegl, Alois
• Ryan, Marie-Laure
• Sontag, Susan
• Wickhoff, Franz
• Wölfflin, Heinrich
• Zschocke, Nina

Alphabetical by keywords (with which the posts are not necessarily tagged):

• Albertian mode of representation (Alpers)
• borderless panels (Barthes)
• centrifugal vs. centripetal (Krauss)
• characteristic shape (Gombrich)
• cinema / other cinema / autre cinéma (Bellour)
• colonial imitation (Bhabha)
• colour / local colour (Gombrich)
• commonplace objects (Danto)
• complementary method of narration (Wickhoff)
• confusion (Bellour)
• continuous method of narration (Wickhoff)
• counter-sites (Foucault)
• cultural memory (Assmann)
• depth (Wölfflin, Jameson)
• descriptive mode of representation (Alpers)
• deviation (Foucault)
• discursivity (Foster/Owens, Foster, Owens)
• environmentalism (Levi)
• exploded story (Bellour)
• fallen woman (Nochlin)
• feminism (Owens, Pollock)
• fragmented perception (Bellour)
• gender performativity (Butler)
• global cultural economy (Appadurai)
• grids (Krauss)
• group portrait (Riegl)
• heterotopia (Foucault)
• hybridisation (Owens)
• illusion (Gombrich)
• imagined community (Anderson)
• irritated gaze (Zschocke)
• isolating method of narration (Wickhoff)
• isometric projection (Panofsky)
• memory (Assmann)
• message, linguistic/literal/symbolic (Barthes)
• mimetic routine (Assmann)
• mimicry (Bhabha)
• modernity at large (Appadurai)
• modes of representation (Alpers)
• narration (Wickhoff)
• narrative (Ryan)
• nation (Anderson)
• neoconservative postmodernism (Foster)
• northern mode of representation (Alpers)
• other spaces (Foucault)
• packages (Barthes)
• pain (Sontag)
• perception, fragmented (Bellour)
• performative acts (Butler)
• perspective (Panofsky)
• plane and recession (Wölfflin)
• polyvision (Bellour)
• postmodernism (Foster/Owens, Foster, Owens, Jameson, Hutcheon)
• poststructuralist postmodernism (Foster)
• recession (Wölfflin)
• representation (Alpers)
• rites (Assmann)
• sadness (Levi)
• segmentation (Bellour)
• self-reference (Danto)
• semiotics (Barthes)
• subjectivism, subordination, symbolism (Riegl)
• symbolic form, perspective as (Panofsky)
• technoterror (Levi)
• vanishing point perspectival system (Panofsky)
• visual irritation (Zschocke)
• war (Sontag)
• Woman (Pollock)

Chronological by year of original publication or writing:

• 1895 (Wickhoff)
• 1902 (Riegl)
• 1915 (Wölfflin)
• 1927 (Panofsky)
• 1960 (Gombrich)
• 1964 (Barthes)
• 1967/1984 (Foucault)
• 1970 (Barthes)
• 1978 (Nochlin)
• 1979 (Krauss)
• 1980 (Owens)
• 1981 (Danto, Krauss)
• 1983 (Alpers, Anderson, Foster, Owens, Pollock)
• 1984 (Bhabha, Jameson)
• 1985 (Foster)
• 1988 (Hutcheon, Butler)
• 1992 (Assmann)
• 1996 (Appadurai)
• 2000 (Bellour)
• 2003 (Sontag)
• 2006 (Zschocke)
• 2007 (Ryan)
• 2013 (Levi)

Alphabetical by title:

• The Allegorical Impulse: Toward a Theory of Postmodernism (Owens)
• The Anti-Aesthetic. Essays on Postmodern Culture (Foster)
• Art and Illusion (Gombrich)
• Cultural memory and early civilization. Writing, remembrance, and political imagination (Assmann)
• The Discourse of Others: Feminists and Postmodernism (Owens)
• Empire of Signs (Barthes)
• Grids (Krauss)
• The Group Portraiture of Holland (Riegl)
• Das holländische Gruppenporträt (Riegl)
• Imagined Communities. Reflections on the Origin and Spread of Nationalism (Anderson)
• Interpretation without Representation, or, the Viewing of Las Meninas (Alpers)
• Der irritierte Blick: Kunstrezeption und Aufmerksamkeit (Zschocke)
• Lost and Found: Once More the Fallen Woman (Nochlin)
• Of Mimicry and Man: The Ambivalence of Colonial Discourse (Bhabha)
• Modernity at Large. Cultural Dimensions of Globalization (Appadurai)
• The Originality of the Avant-Garde (Krauss)
• Of an other cinema (Bellour)
• Of Other Spaces, Heterotopias (Foucault)
• Packages (Barthes)
• Performative Acts of Gender Constitution: An Essay in Phenomenology and Feminist Theory (Butler)
• Perspective as Symbolic Form (Panofsky)
• A Poetics of Postmodernism (Hutcheon)
• (Post)Modern Polemics (Foster)
• Postmodernism: A Preface (Foster)
• Postmodernism, or The Cultural Logic of Late Capitalism (Jameson)
• Principles of Art History (Wölfflin)
• Regarding the Pain of Others (Sontag)
• Rhetoric of the Image (Barthes)
• The Sweet Smell of Japan. Anime, Manga, and Japan in North America (Levi)
• Toward a definition of narrative (Ryan)
• The Transfiguration of the Commonplace. A Philosophy of Art (Danto)
• Die Wiener Genesis (Wickhoff)
• Women, Art, and Ideology: Questions for Feminist Art Historians (Pollock)

Alphabetical by last name of comics creator:

• Aki Eda (Nochlin)
• Arreola, Ulises (Gombrich)
• Azuma, Kiyohiko (Barthes)
• Cooke, Darwyn (Krauss)
• Davis, Jim (Assmann)
• tom Dieck, Martin (Zschocke)
• Farazmand, Reza (Danto)
• Hamazaki, Tatsuya (Wölfflin)
• Hernandez Walta, Gabriel (Appadurai, Panofsky)
• Ishinomori, Shōtarō (Foster/Owens)
• Izumi, Rei (Wölfflin)
• Janin, Mikel (Gombrich)
• King, Tom (Appadurai)
• Kita, Kyōta (Alpers)
• Koike, Kazuo (Foucault)
• Kojima, Gōseki (Foucault)
• Miller, Frank (Butler)
• Milligan, Peter (Gombrich)
• Morrison, Grant (Foster, Owens)
• Nagai, Gō (Bhabha)
• Nagayasu, Takumi (Anderson)
• Nakazawa, Keiji (Alpers)
• Nihei, Tsutomu (Wölfflin)
• Nishi, J. P. (Wickhoff)
• Ogata, Keiko (Alpers)
• Ōtomo, Katsuhiro (Anderson)
• Reis, Ivan (Foster, Owens, Riegl)
• Revel, Brahm (Hutcheon)
• Rowntree, Winston (Bellour)
• Sacco, Joe (Jameson)
• Shiina, Karuho (Barthes, Krauss)
• Shirow, Masamune (Ryan, Sontag)
• Yang, Gene Luen (Riegl)
• Yukimaru, Moe (Pollock)

Alphabetical by comic title:

• .hack//Legend of the Twilight (Wölfflin)
• À Nous Deux, Paris! (Wickhoff)
• Appleseed (Sontag)
• Astonishing X-Men (Panofsky)
• Azumanga Daioh (Barthes)
• Barefoot Gen (Alpers)
• Batman/Superman (Riegl)
• Black Magic (Ryan)
• Bonnouji (Nochlin)
• DC: The New Frontier (Krauss)
• Devilman (Bhabha)
• Garfield (Assmann)
• Guerillas (Hutcheon)
• Hadashi no Gen (Alpers)
• Haine / Heine (Alpers)
• Japan Inc. (Foster/Owens)
• Justice League Dark (Gombrich)
• Kimi ni Todoke (Barthes, Krauss)
• Knights of Sidonia (Wölfflin)
• Kozure Ōkami (Foucault)
• The Legend of Mother Sarah (Anderson)
• Lone Wolf and Cub (Foucault)
• The Multiversity (Foster, Owens)
• L’Oud Silencieux (Zschocke)
• Palestine (Jameson)
• Paris aishiteruze (Wickhoff)
• Poorly Drawn Lines (Danto)
• Rōnin (Butler)
• Sarah (Anderson)
• Die schweigende Laute (Zschocke)
• Shidonia no Kishi (Wölfflin)
• Subnormality (Bellour)
• Suisai (Pollock)
• The Vision (Appadurai)

These lists will be continuously updated.

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