Exhibition review: Neue Galerie, Kassel

Between documentas, Kassel hadn’t really been on the map for art lovers lately. With the reopening of the Neue Galerie in November last year (which was closed for five years for refurbishment), this is likely to change.

This collection of 19th-21st century art is truly impressive in terms of both quantity and quality: there are masterpieces by Hans Makart and Wilhelm Trübner, two rooms of Paul Baum paintings including his lesser known pre- and post-pointilist phases, two rooms of works by the underrated Curt Herrmann, lots of stunning impressionists and modernists I’ve never heard of… It’s almost easier to name artists you won’t find there. For instance, I think I didn’t see a Hans Hartung there, although it would fit nicely into the otherwise well-equipped Informel section.

However, the gaps become larger the closer we get to the present, and that’s where the problem with this collection becomes evident: its scope isn’t clear. For the 19th century, the museum does a great job at representing German painting (with some local or regional emphasis). In the contemporary section, though, the scope widens to encompass international art, at which point the collection isn’t complete or even representative anymore, showing classics next to artists that have yet to make a name for themselves. Likewise a problem of scope is the ratio of painting (predominant) to sculpture (very little) to other arts (almost none). Maybe the museum should be named “Gemäldegalerie” instead of claiming to house a “collection of modernism – art of the 19th-21st century”.

That being said, the Neue Galerie is still definitely worth a visit. Besides, the admission is only €4 (conc. €2). Another cool thing about this museum is its website, which is made entirely in posterous (albeit in German only).

Rating: ● ● ● ● ○

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One Comment on “Exhibition review: Neue Galerie, Kassel”

  1. […] Ali‘s four-part painting The Haunted Lotus in the Neue Galerie is reminiscent in style of traditional East Asian religious paintings, but at the same time the […]


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