What do you get when you (re-) launch a comic book series with a relatively obscure title character and an even more obscure creative team? Anything but an ongoing series. At least, an early cancellation would be the usual course of things. However, issue #8 has already been solicited for February (with MacKay and Cappuccio still on board as well), so it looks like we’re in for the long run after all. Perhaps not entirely coincidentally, a certain Disney+ series starring Oscar Isaac is scheduled for next year…
Authors: Jed MacKay (writer), Alessandro Cappuccio (artist), Rachelle Rosenberg (colourist)
Cover dates: September – November 2021 (= on-sale dates: July – September 2021)
Pages per issue: 20 [EDIT: #1 is an oversized issue with 30 comic pages]
Price per issue: $3.99 [EDIT: $4.99 for #1]
Website: https://marvel.fandom.com/wiki/Moon_Knight_Vol_9 (embarassingly, these fandom.com links are probably stabler than the marvel.com ones)
Previously in Moon Knight: a succession of rather short-lived reboots culminated in the enjoyable Bemis/Burrows run of 2017-18. Admittedly there was also the Age of Khonshu story arc in Avengers after that, which I didn’t bother reading. But it looks like the status quo hasn’t changed much.
Moon Knight’s devotion to his god Khonshu has waned somewhat, but he still considers himself the “Fist of Khonshu” and goes about his usual street-level superhero business, protecting the innocent in his neighbourhood from (minor) supernatural threats. Then, however, he is challenged by a more devout doppelganger – a classic superhero trope – who reminds him that, like most people, Khonshu has more than one “Fist”. Naturally, fighting ensues.
Wedged in between this two-Fisted tale is a sort of self-contained story in issue #2 in which Moon Knight fights some throwaway supervillain, but it is implied that a more powerful enemy, whose identity hasn’t yet been revealed, is pulling the strings. Interspersed with these events are scenes of dialogue between Moon Knight and his psychotherapist (yet another one, Andrea Sterman, who despite her youthful appearance apparently goes all the way back to 1990). We’ve seen this technique before, of course, but such dialogue is always a convenient way to recap Moon Knight’s biography, especially at the start of a new series.
So, what aspect of Moon Knight’s character, which is to say, his mental illness, does writer Jed MacKay focus on? Multiple personalities? Delusions of communicating with a god? Sadly, our protagonist’s condition is only shown to us by way of his therapy sessions. None of the intriguing techniques of MacKay’s predecessors to visualise Moon Knight’s twisted view of things are employed here, except for a scene in issue #2 in which we get a glimpse inside Moon Knight’s mind and learn why he’s not a suitable target for mind control.
What makes this Moon Knight still a worthwhile read, then, is not so much the plot, the dialogue, or the narrative technique (which are all on a high level, though not spectacular), but the artwork. Particularly colourist Rachelle Rosenberg’s contribution needs to be mentioned. Areas of pink, purple, green and orange hues are contrasted against each other, reminiscent of Dean White’s palette. Glowing light effects are everywhere, on street lights, the crescent moon, even Moon Knight’s menacing eyes. All of this leaves Moon Knight’s pristine white costume unaffected. When he’s leaping and gliding and falling, his cowl is often left with little or no shading as a large white area, a flowing canvas that once more resembles Batman’s iconic cape.
60 70 pages into this series, there is little hope left that it will turn into a masterpiece of the proportions of the Lemire/Smallwood Moon Knight run. For those readers who have been following the title character anyway, it is certainly a satisfying read, but it might not be the best introduction to Moon Knight for people yet unfamiliar with him – which, ironically, must have been Marvel’s intention with this relaunch in the light of the upcoming tv show.
Rating: ● ● ● ○ ○