Exhibition review: Cosey, Basel, 12.11.2022–26.2.2023

After Tardi and Joann Sfar, Cartoonmuseum Basel celebrates another Franco-Belgian master, albeit from Switzerland this time: Cosey (Bernard Cosendai), born in Lausanne in 1950 and above all famous for his long-running adventure series, Jonathan (1975–2021). Recently he attracted some renewed attention with his two Mickey Mouse tribute albums, and over the years he has also produced a number of standalone albums, e.g. In Search of Peter Pan. Accordingly, the exhibition devotes the most space to Jonathan, displaying many original drawings, and also some sketches and even artifacts that he collected from Tibet and other places where his comics are set.

For someone who has read Cosey’s comics only in translation, it is fascinating to see his hand-lettered speech balloons and title pages, and to realise what a skilled calligrapher he is. One of the downsides of this presentation of the original drawings, however, is that once more – as in the Tardi exhibition – no translations of the French text are provided.

The other, perhaps more lamentable, downside is that all the drawings show the pages after inking but before colouring. That is a pity, because (as the accompanying texts in the exhibition mention too) Cosey colours his comics himself and does so with considerable success, using a reduced palette to great effect. Only a single page is displayed with an overlayed colour cel, and there are also some watercolour sketches.

As usual, the artist’s published oeuvre can be perused in the museum library, where one can also watch a documentary film about him – alas, again, in French only.

Rating: ● ● ● ○ ○