A sad anniversary: Review of Moon Knight #194-200Posted: February 4, 2019
Authors: Max Bemis (writer), various
Publication Dates: June – December 2018
Pages per issue: 20
Price per issue: $3.99
Another year has passed in which Moon Knight was largely ignored by critics. Rightfully so? The last story arc by Max Bemis and Jacen Burrows, collected in a trade paperback titled “Crazy Runs in the Family”, showed great potential. What came afterwards, though, was quite a mixed bag:
#194, drawn by Ty Templeton, is seemingly a one-shot which introduces Uncle Ernst, a supervillain from Marc Spector’s childhood.
#195-196, with brilliant artwork by Paul Davidson, is a weird and charming little story about The Collective, a new supervillain (or group of villains?).
#197-198, drawn by Jacen Burrows again, seem to tell a very similar tale about another group of adversaries, the Société des Sadiques. Their leader turns out to be none other than Uncle Ernst, which in hindsight makes #194 the first part of this story arc.
Although the story appears to be finished with #198 (which is also the last issue to be collected in the TPB, “Phases”), #199 (art by Davidson again) continues it with another face-off between Moon Knight and Ernst.
#200 (still drawn by Davidson), finally, brings back the supervillains from the previous arc, Sun King and The Truth, the former allying with Moon Knight while the latter has been corrupted by Ernst.
Thus, with the interruption of #195-196, we basically have a five-part finale, the cohesion of which is futher damaged by the change of artists. Bemis has injected a lot of clever and darkly humorous ideas into these issues, though their connections to the Nazi Holocaust are sometimes bordering on tastelessness. Still, the cancellation of this series after this anniversary issue is a remarkable marketing failure, even for Marvel. Usually, such an anniversary would be used to invigorate and generate new interest in a series at least for the next couple of issues (which has recently worked well for e.g. Action Comics at DC), but Marvel didn’t even seem to have had that much faith in Moon Knight. The 200th issue itself is not that flashy either: a slightly increased size (30 pages) for an increased prize ($5), some guest artist pages (one each by Jeff Lemire and Bill Sienkiewicz), and an action sequence of two double-page spreads by Davidson – that’s it.
What remains in memory of this Bemis/Burrows/Davidson run is a number of whacky characters, stunningly drawn panels, witty lines of dialogue, and ways of storytelling that at least feel fresh. And three comic creators to watch (although Bemis seems to identify more as a rock musician). However, the lack of success of a rock-solid series such as Moon Knight also says a lot about the current state of American superhero comics in which such a vast amount of material is published each week that the comic books are cannibalising each other in their competition for reader attention.
Rating: ● ● ● ○ ○