Paper “Japanese Art in the Contact Zone: Between Orientalism and ‘Japansplaining’” published


More than two years ago, I gave a conference paper titled “Japanese Art in the Contact Zone: Between Orientalism and ‘Japansplaining’”. The proceedings of this conference, Migrations in Visual Art, have now been published as an Open Access PDF at https://e-knjige.ff.uni-lj.si/znanstvena-zalozba/catalog/book/122 (doi: 10.4312/9789610601166, ISBN: 978-961-06-0116-6). There you’ll also find a table of contents with links to the PDFs of the individual papers. Again, this paper isn’t about comics, but I dare say it’s relevant to anyone interested in transnational manga reception. Here’s the abstract as published in the proceedings:

After WWII, Japan came to be economically and politically at eye level with its
former enemy nations. Therefore, one cannot say that the Western reception of
Japanese artworks takes place within an actual context of an asymmetrical power
relation. Yet, European and American audiences often approach Japanese art from
a position of perceived superiority. Overt and subtle traces of this attitude can be
detected in reviews and other texts on Japanese artworks ranging from the films of
Akira Kurosawa to the photographs of Nobuyoshi Araki.



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