Exhibition review: Joe Sacco – Comics Journalist, BaselPosted: January 16, 2016
Speaking of Joe Sacco, there is a Sacco exhibition currently shown at Cartoonmuseum Basel until April 24. There is a lot to see there: the exhibition starts with original drawings from Sacco’s early comics, of which I found the juxtaposition of a “Zachary Mindbiscuit” story from 1987 and “More Women, More Children, More Quickly” from 1990 (both unpublished until the 2003 collection Notes From A Defeatist) the most interesting. While already an accomplished draughtsman in 1987, it wasn’t until “More Women…” that Sacco started positioning his caption boxes in oblique angles, which would become one of his trademarks.
Sacco’s main works, Palestine, Safe Area Goražde and Footnotes in Gaza, are all represented through original drawings (10 episodes from Palestine alone) as well. Another fascinating exhibit in this context is an arrangement of Sacco’s notebooks and reference photographs, next to the corresponding pages from the published comic. It becomes clear that while he gathered plenty of material, he took some liberties when it came to making a comic out of them – particularly in Footnotes, in which he re-imagines events that happened 50 years ago.
Insights into Sacco’s work process can be also gained from three short documentary films displayed on a screen (6 minutes in total), produced in 2011 by Portland Monthly and the Oregon Museum of Science and Industry: “Reporting from the field”, “Tools of the trade” and “Inspiration of Robert Crumb” (also available online). Another section of the exhibition traces the history of comics journalism before Sacco by way of “special artists” and reportage drawing from the 19th century on.
There is some more original art on display from Sacco’s more recent comics, which I’m not too crazy about. In the museum’s library, all of Sacco’s published works can be read in German and English. And then there’s another sensational exhibit: The Great War from 2013 (or 2014, according to the museum), in which Sacco tells the events of one day of a British military unit in WWI. The publication is subtitled An Illustrated Panorama, but I gather it comes in the form of a leporello (“accordion”) book. In the exhibition it is arranged in a semicircle. Not a comic, strictly speaking, but definitely an eye-catcher.
In an exhibition leaflet, Sacco is quoted (my translation): “Journalism is about countering the endless lies, even though it sometimes reiterates them – intentionally or unintentionally.” In this regard, journalism and scholarship are very much alike.