Exhibition review: Asterix & Die Kelten, Völklinger Hütte

Völklinger Hütte with Asterix container

“For the first time, the legend that is Asterix and its archaeological roots are shown”, that’s what the Völklinger Hütte says about its current exhibition (December 17, 2011 – April 9, 2012). And, granted, that much is true: we get to see Asterix comics, and we get to see archaeological objects. Therefore, it wouldn’t be correct to call this show fraudulent. And that’s about the most positive thing I have to say about it.

But let’s start with what there is to see in this 6.000m² exhibition space. There are over 120 original pages from Asterix comics. However, as a text at the beginning of the exhibition tells us, they (or at least some of them) aren’t really originals, but rather facsimiles. Furthermore, most pages are the final, coloured proofs, which (naturally) look exactly like in the printed albums. I find it pointless to exhibit such pages, and I would have preferred to see sketches instead. On some pages it is interesting to compare the original French texts to their German translations, but the accompanying texts on the walls next to the pages don’t comment on that. In fact, the accompanying texts don’t refer to the exhibited pages at all, but rather to the content of the albums they are taken from.

So what about the archaeology part? In the vicinity of the comic-related objects, there are glass cases with the sort of Celtic and Roman artifacts you would expect: weapons, armours, pottery, utensils and the like. Now, I’m not an archaeologist, and I can’t say if these artifacts are particularly interesting in themselves. Who knows, maybe they are. The problem is: the exhibition doesn’t even try to connect them to the comics. For instance, there is a case with a replica of a Roman armour, and nearby there’s a picture of Obelix as a Roman legionnaire on the wall. When I compare the replica armour to the one that Obelix is wearing, I can see there are some differences. So why did Uderzo draw it like that? Didn’t he have access to models or pictures of Roman armours? Did he model it after a different real Roman armour that isn’t exhibited in Völklingen? Did he just simplify it to make it easier to draw, or alter it to achieve an aesthetic effect? Did he even care about historical accuracy at all? I thought answering such questions was what this exhibition was all about. But just what it is about must have escaped my notice entirely.

Oh, and don’t expect to find the latest German edition of Asterix albums (“Ultimative Edition“) in the museum shop. The salesperson there hadn’t even heard of it, although you can read about it on the publisher’s website on a computer terminal in the exhibition.

Don’t get me wrong: I do think it is possible to make good exhibitions about comics. “Asterix & Die Kelten” just isn’t one of them.

Rating: ● ○ ○ ○ ○

For the record, the exhibition is accompanied by a lecture series (see also the German post on the ComFor weblog).
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